In Defense of John Mayer. Kind of.

This is a difficult one to write. Namely because a good chunk of my current circle consists of people who wear skinny jeans and nerd glasses and listen to music that you probably won’t even hear about until like, ought-fifteen.

I say, “John Mayer!” They say, “SHUNNED!”

I’m not here to comment specifically on the “racist” comments put out by Mayer in the Playboy interview, other than to say,  READ THE PIECE in its entirety. I’m not saying it’s not stupid, what he said,  but I do think his remarks should be seen within their environment to get a sense of the interview’s tone. [And yes, said environment involves boobs, so, you know...surf on over there, and then clear your history so your girlfriend doesn't find out.]

I have a feeling that if people read the whole thing, they’d see that Mayer’s answers are so forthcoming they are  almost painful and refreshing. [Or possibly painfully refreshing, or maybe refreshingly painful.] I mean, aren’t we all bored with the vague, PR-driven answers? “We’re just friends” and “I just have a high metabolism” etc, etc, bullshit, etc. I’d rather have celebrity be honest and risk coming across as douchey than make me read 6,000+ words of absolutely meaningless drivel.

To me, this whole piece was less question/answer and more, “fly on the wall.” It’s ridiculously candid, so much that I found myself actually appreciating his thoughts on masturbation. I found myself thinking things like, “Yeah, I can see why breaking the heart of Jennifer Aniston as ’akin to burning the American flag.’ Very clever.”

So yeah. I’m defending John Mayer. Kind of. Why?

Well.

Good question. HERE’S MY TOP FIVE.

1) Between the years 2001-2002, John Mayer was the soundtrack to my first love, and subsequently, my first heartbreak. Is there some nostalgic umbilical cord that keeps our hearts tied to such things? I’m not saying that his early work is musically groundbreaking, but it reminds me of awkward makeout sessions and tears in sweet malt liquor. For some reason — possibly my sick and twisted, sentimental writer’s soul - I hold those things close.

2) John Mayer’s twitter stream is often funny and witty and thoughtful. Yeah, I said it. I appreciate a good dose of self-deprecating humor (see: this entire blog). Confession: the one time I @’d him, it was about a dream I had, and I WILL NOT LIE I kind of half-expected him to respond to it.

3) He played at Michael Jackson’s funeral and played “Human Nature,” and didn’t sing.

4) I understand what it’s like when you’re trying so hard to be funny, when the words come out and you go scrambling after them because, “Oh. Oh no. That came out wrong. I just wanted you to laugh.” I think that’s what happened here. I think he was trying to get a chuckle out of America and instead America was like, “Yer a racist a-hole.” Like that one entry in which I dissed that girl at the Delta Spirit show and I took some creative liberties to be humorous and then the girl found my blog and was PISSED. Except replace “I” with “John Mayer” and “girl” with “an entire race.”

5) I was with my BFF Matt when we had front row seats to this Counting Crows/John Mayer show in 2003 (YES!). Mayer would be working the stage and the girls would just shriek at deafening levels. I’d look over at Matt, roll my eyes, and comment about how gross that was. Immediately after that he came up on stage right, directly in front of us, and, as if possessed by some teenybopper devil, I threw my hands up and yelled, “WOOOO.” WOO, people. WOO.

On a side note,  if someone out there wants to refer to me as “sexual napalm,” I wouldn’t be opposed.

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Surrender Jennifer

At around 2am on a Friday night, I was standing outside Dorman Street, drunkenly whining into my phone. On the other end? Matt Wilson, Brooklyn. My best friend since high school.

“I need you to do me a big favor. I need you to tell me that boys are stupid. And that I’m pretty.”

“We’re idiots, all of us. And you’re gorgeous.”

——————————

[Raises hand]

You: Yes? Jenn?

Me: Hey. Yeah, um….WHEN DID IT COME TO THIS?

——————————

Seriously.

Is this because I rejected a bunch of guys in high school? Is that what this is about, Universe? ‘Cuz THERE’S YOUR KARMA. [Sorry. I always wanted to do that - say the name of my blog in an entry. Thought that would get a chuckle, like it does in the movies.] Somehow I got to the point when I am out in the freezing cold, slurring into my blackberry to get validation from a man 700 miles away?

This is stupid.

It was just a few months ago that I was telling Bess how things are so much different when you’re older! I’m not fourteen anymore! I don’t have tear-stained scribbles in my journal asking why I never get asked to couples skate to “Water Runs Dry” at the Plainfield Roller Rink (IT’S SPECIFIC BECAUSE IT’S TRUE). I am a W.O.M.A.N and I know what I want now, and it’s liberating, and watch me flirt with all the boys at the bar, but wait, I don’t really remember how to do this anymore, oh God, I suck at this actually, and wait, the boys aren’t pooling at my feet, there must be a horn growing out of my head that I don’t know about.

It’s exhausting, trying to get you to fall in love with me, Boys. So I’munna go ahead and sit this one out for a while. And maybe not drink as much, so Matt Wilson can catch some Z’s.  I refuse to be That Girl. A pity, because drinking was the driving force behind this whole entry. See, I opened my laptop this morning to find my browser logged into Twitter. In the text box was a tweet that I wrote, but never sent.

It read:

“Argh. Conclusion: Don’t try so hard.”

I have NO recollection of writing this, on account of The Drink. It was like a tweet-in-a-bottle, sent from a different version of myself. Good advice, Drunk Jenn. It was like when Jim pranked Dwight with faxes from the future.

Heh. Classic.

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Oh I’m sorry, have you seen my socks? THEY SEEM TO HAVE BEEN ROCKED OFF.

This would be Phoenix at Monolith last September. (I KNOW IT’S NOT TIMELY, BUT THAT’S ALL I GOT RIGHT NOW PEOPLE.) Absolutely delightful and rockin’ and brimming with promise, these guys. There’s not much more for me to say without getting regretfully sappy.  Love.  Also, I just took a trazodone so that’s going to be kickin’ infsf sondfnsfdasldksddddddddddddd

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In Which I Expose Myself to Ridicule..Not Unlike Every Entry on This Blog.

HEY. Guess who has two thumbs and has more time to edit photos she took, oh…FOUR MONTHS AGO? THIS KID.

Here’s the thing. I am not a professional photographer. I was not paid to take pictures of the Monolith Music Festival. I simply had the badge that said I could.

Said badge also got me into the media and artists tents, which got me booze, and fish tacos a-plenty. But also, booze. It hit me more at some times than others, like when I decided to photograph Redman and Methodman.

When they first came out, Redman dissed the photographers, saying something about how “WE’RE HERE FOR THE PEEPS, NOT THE PAPS” or something, and I was all, “Hey. I’m a pap.

“I’m not a slave to the man!” I wanted to say, perhaps after tugging on Meth’s purple polo. “I’m just a freeloader who just *hiccup* drank copius amounts of pino greeszh.”

And to show them, to prove to them I belonged there? I fell into the biggest black hole of Uncool: I launched into The White Girl Bop.

Worse yet, I DIDN’T KNOW I WAS DOING IT, until someone pointed me to YouTube.

Peep this at about :50, if you don’t get vertigo first. I’m the chick with the dark short hair, navy blue shirt, and plaid red skirt — you know, with the camera, taking shots that I think are going to be KILLER but are mainly just blurry upshots of Methodman’s armpits. Yeah, that’s me. Dancing in and out of frame.

I’M WHITE.

I GET IT, NOW.

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Relax, Dad. I spent two dollars.

This evening, I had dinner with my dad at On The Border, because Randy LOVES HIM A CHAIN RESTAURANT. This was our first face-to-face since my frog-throated, “Hey, Dad? I kind of don’t have a job anymore” phone call. Like most only children, I have this crippling fear of letting my parents down. I had protected them from my general unhappiness at my place of employment, so when the agency and I decided to break up, their reaction was more or less, “Wha happon?” But, you know, more articulate, and peppered with Michigan accents. Dinner tonight was nice. He could tell I was happy, that I had slept peacefully for the first time in a while.

However, the siren song of Half-Price Books was ringing out across 86th street - more specifically, their used vinyl section. I have found some GEMS. One of my favorite LPs I own — Judy Garland Live at Carnegie Hall (1961) — I purchased for 50 cents. So despite the necessary penny-pinching that will inevitably take over my life for the next however-long, I scoured the dusty sleeves and came up with these…

NeilNeil Diamond: THE JAZZ SINGER

WHICH WAS OBVIOUSLY USED AS A COASTER AT SOME POINT. How DARE you use the Jewish Elvis’ art to protect your coffee table from leaky beverages! Don’t you worry, Jazz Singer LP. You’re in a good home now. PS. There might be a soul-defining, fist-pumping sing-along to “America” tonight.

Not pictured, because I’m lazy: the soundtrack to “My Fair Lady” with Julie Andrews and Rex Harrison. Is there anything more delicious than ol’ Rex’s melodic ramblings on, “I’ve Grown Accustomed to Her Face”? I think not.

PavsBravo Pavarotti!

I’ve been getting back into opera lately (a bit of a revival from the Post-Break-Up Renaissance of this summer) so in addition to this Pavarotti Greatest Hits JAM I bought a recording of La Boheme at the Met. I’m pretty sure La Boheme is the Sgt. Pepper of operas, am I right? My knowledge is so basic, I get the impression that to the seasoned opera fan I’m basically saying, “HEY, HEY YOU GUYS - have you ever heard this song, ‘Satisfaction,’ by  The Rolling Stones? It’s gonna blow your mind.”  Still, you gotta start somewhere. I think a wise men once said, “People’s reactions to opera the first time they see it is very dramatic; they either love it or they hate it. If they love it, they will always love it. If they don’t, they may learn to appreciate it, but it will never become part of their soul.”

That wise man was Richard Gere, in the film, Pretty Woman.

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So damn foolish.

“Do you think it’s too late for me to learn the french horn?” I texted my friend Jordan, recently.

[I was getting that old familiar feeling of listlessness,  which never fails to cultivate this desire to throw myself headfirst into something completely new, and challenging, and random. Mostly random. When I was seven, I felt destined to play the french horn.... until a member of the Grand Rapids Symphony let me try. I couldn't blow one note outta that thing.]

“No way!” He responded. “It’s never too late. Reed instruments are sexier though.”

Been there (read: nine years of clarinet). I think what he really meant was the saxophone, specifically. I mean, I’m sure there is an instrument fetish for everyone. I’m sure there are “Bassoons are for Lovers” clubs or people who get turned on by oboe solos. But I think the lot of us can agree that the saxophone is universally the sexiest of the reed instruments. Part of me wishes I would have chosen that, versus the clarinet. You can’t really bust out the clarinet on the street corner and look cool. Although, I might resort to that, now that I’m unemployed. (Note to self: Remind parents to send clarinet.)

ANYWAY. The whole point of this entry is to get to the following - whenever anyone mentions the saxophone, I think of the instrument hanging from someone’s neck “like a golden fish.” I knew I had stolen that phrase from a poem, which I just now found. And I’m posting it here, because it’s beautiful, and I never want to lose it again.

Nightclub

By Billy Collins

You are so beautiful and I am a fool
to be in love with you
is a theme that keeps coming up
in songs and poems.
There seems to be no room for variation.
I have never heard anyone sing
I am so beautiful
and you are a fool to be in love with me,
even though this notion has surely
crossed the minds of women and men alike.
You are so beautiful, too bad you are a fool
is another one you don’t hear.
Or, you are a fool to consider me beautiful.
That one you will never hear, guaranteed.

For no particular reason this afternoon
I am listening to Johnny Hartman
whose dark voice can curl around
the concepts on love, beauty, and foolishness
like no one else’s can.
It feels like smoke curling up from a cigarette
someone left burning on a baby grand piano
around three o’clock in the morning;
smoke that billows up into the bright lights
while out there in the darkness
some of the beautiful fools have gathered
around little tables to listen,
some with their eyes closed,
others leaning forward into the music
as if it were holding them up,
or twirling the loose ice in a glass,
slipping by degrees into a rhythmic dream.

Yes, there is all this foolish beauty,
borne beyond midnight,
that has no desire to go home,
especially now when everyone in the room
is watching the large man with the tenor sax
that hangs from his neck like a golden fish.
He moves forward to the edge of the stage
and hands the instrument down to me
and nods that I should play.
So I put the mouthpiece to my lips
and blow into it with all my living breath.
We are all so foolish,
my long bebop solo begins by saying,
so damn foolish
we have become beautiful without even knowing it.

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Day One. Or: How Barbra Streisand Got Me Through My First Day of Unemployment.

When New Year’s came around and you asked me about resolutions, I told you I had none. That was a lie. I had one, known only to myself, whispered when the clock struck midnight: I’m going to leave my job by the end of 2010.

I did not expect it to happen in the middle of January.

I had grown…restless. After two years, I had transitioned from from being a media rockstar to having panic attacks when I would look at these spreadsheets, pregnant with data. And then I did perhaps the stupidest thing: I wore it on my sleeve. 

You know when you were in high school, and you were dating some guy, but he wanted to break up with you? And instead of just manning up and breaking up with you, he treated you like shit, so you would break up with him?

I was that guy. I was the asshole. I never knew I could be the asshole.

Still, just like in any relationship, people change. I had changed. The same things that revved me up a couple years ago made me want to impale myself of an overturned chair as of late. We had given up on each other. So when the question came: “This isn’t exactly working, is it?” the answer was an emphatic, “No.”

Then, a flash flood of emotion. Shame, guilt, sadness.  Relief, happiness, pride. So I now find myself unemployed during the worst economic crisis I will probably ever see in my lifetime. And while you, the more logical of you, are bound to click your tongues and shake your heads — those of  you who know me well will understand that this is a necessary blip in the journey to fulfilling my life’s purpose.

Today was “Day One of Being Unemployed,” or as I like to call it,”Being an Unmarried Housewife Until the Money Runs Out.” Not every day is going to be like this. But I needed today to be JUST like this.  I needed to watch Martha Stewart and Julie Andrews make fairyland terrariums. I needed to catch up on my stories (General Hospital). I needed to eat cookie cake.

Perhaps the best decision I made today was listening to the Funny Girl LP while cleaning the kitchen. If this blog teaches you nothing else, let it be this gem: When you find yourself at a crossroads, turn to Barbra Streisand. 

CASE IN POINT: FUNNY GIRL

“I’m the greatest star.”

“Who is the pip with pizazz? Who is all ginger and jazz?” (”ME! I AM!” you answer, hands thrust into dirty dishwater, sudsy rag thrown over your shoulder.)

“Someday they’ll clam-uh for my dram-uh.” 

“Ooh life is juicy, juicy and you see, I gotta have my bite, sir.” 

“First, be a person who needs people.” (’cuz they’re the luckiest. the luckiest people in the world.)

“Life is candy and the sun’s a ball of butt-uh.”

WAY TO GO, BABS. Way to hand me this musical torch, lit with gusto and moxie. 

I CAN DO ANYTHING.

Riiiight after I finish this cookie cake. 

 



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GIVE US A TV SHOW, ALREADY.*

I just bought eight yards of green sparkly tulle to make a tutu for a Christmas party on Friday. It’s an ugly sweater Christmas party, but honestly? I always have a hard time with that theme. I don’t feel cute in someone else’s gross sweater; I’m sorry.

I know, I KNOW - that’s the point, Ugly is in the Title, Kriscunas, I get it. Regardless, I’m going for gaudy/tacky/cute Christmas outfit. And I’m going to WURK IT.

So Bess is going to be red, and I’m going to be green, and we’ll arrive together and probably share a dish-to-pass, so those lesbian rumors are just GOIN’ STRONG.

At lunch today:

Jenn: There are going to be single guys at this party, right?

Bess: Yeah, I think s-

Jenn: Wait, I’m sorry. Who AM I? Is that a question I need to ask, now? “There’s going to be single guys there, right?” What am I, a “Cathy” comic?

Bess: “BWAH! WHAT?! I LIKE CHOCOLATE!”

Jenn: “AND COFFEEEEEE!”

* IN DEVELOPMENT: Jenn and Bess’s TV show. We were sold when the King Tut exhibit came through Indianapolis: Bess and I MUST get to Egypt. But how? We didn’t have any money. We needed to use our feminine wiles talents. We decided on a show that we’d pitch to The Travel Channel which would chronicle our adventures trying to get to Cairo.

Working title - “Two Girls, One Tut.”

We need to get moving before “Two Girls, One Cup” is no longer topica— oh wait.

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Tore My Heart is RIGHT.

Let’s face it - love sucks, a lot of the time.

It also inspires some  gorgeous artistic tributes, like one of my favorites -  Veronese’s Scorn.

Cupid FTW

Lately I’ve been playing with the idea that love is only romantic when it’s unrequited.

It’s all very tragic and stupid.

AHEM.

THAT SAID? Go watch this awesome piece on last night’s So You Think You Can Dance, before the big bad network pulls it. Beautiful. Choreography by Sonya Tayeh.

(Link to video here.)



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Oh. Hi, Internet. Didn’t see you there.

One of my blogger pet peeves is when a writer gives excuses or apologizes for a month-long hiatus. I’m sure I’ve done it on the many, many “breaks” I’ve taken at this here blog. Usually, I’m going through some sort of existential crisis (I haven’t gotten any less dramatic in the past month! How ’bout that!) where I throw my head back and cry, “Write?! Lo, I can barely BREATHE!” Actually, no. It’s not like that.

My response to crisis lately has been the following:

1) Put Plastic Ono Band on the turntable.

2) Put the needle on track two.

3) Lie supine on the hardwoods.

4) Breathe.

5) Repeat.

I might get up to smoke a lone cigarette in between 4 and 5. Might.

BUT! BUT! BUT!

Those moments have become few and far between in the past couple months.

I haven’t written because…well. I’ve been writing. Not for this blog. You’ll hear more on that later.

I haven’t written because sometimes I think I’ll forget how. I don’t think this ever goes away. I’m learning to deal with that.

Those who have stuck with my flighty blogging habits know that when I break out of hibernation it’s for something truly superficial.

THUS. I PRESENT:

MY NEW FAVORITE THING.

B4-4.

Yeah, you grip that futuristic hula hoop.

B4-4 was a boy band from Canada. There are three of them, which I guess is the INGENIOUS WORDPLAY behind their moniker (Before Four = Three? Maybe I’m giving them too much credit.)

Anyway. This is my Favorite Thing This Week:

Oh, HOW I LOVE THIS VIDEO. Let me count the ways:

0:13 WHO THREW AWAY THIS PERFECTLY GOOD VIEWFIN-- UH-WHAAA SCARY ORANGE GUY!

0:24 BOOM, Foreshadow’d: “Setting your spirit free” is a motif of this video. Just a For Your Information.

0:36 CHORUS:

If you get down on me
I’ll get down on you
I will do anything
That you want me to
It’s a game of give and take
To make it through
So if you get down on me
I’ll get down on you tonight

YOU GUYS. YOU GUYS. It’s about ORAL SECKS. Wearing only puka shells, no doubt.

0:54 - “Nighttime turns to day again.” Funny how that happens.

1:05: I’m convinced that guy is only there for creepy call-outs.

1:35: Um, pedophiles?

1:40: “Gonna make you come tonight” “Over to my house!”

3:08: PEEYIMP!

So what happened to these guys?

After breaking up from the band, twins Ryan and Dan Kowarsky formed the group RyanDan together and have been working on an album consisting of pop and classical music. Ohad Einbinder (who is now a model) has also worked on pursuing his musical career in Los Angeles.

In July 2007 RyanDan recorded a collaboration with solo artist Ryan Richter. The subsequent concept album was titled RyanDanRyan.

-- Wikipedia.

Sometimes this sh*t writes itself, people.

It’s good to be back.

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That Just Happened.

INTERIOR. TACO BELL/KFC HYBRID RESTAURANT.  BESS AND JENN SCOUR THE MENU FOR TODAY’S LUNCH.

BESS (to JENN): You should get the Black Jack Big Box!

JENN: (squints at menu) What? Oh. It’s a…black taco? Huh.

THE VERY DAPPER AFRICAN AMERICAN MAN WAITING IN LINE JUST IN FRONT OF THEM TURNS AROUND.

MAN: Black is in now.

JENN BLUSHES, GIGGLES NERVOUSLY.

MAN: But you need to know, once you get it, you’ll never go back to the other kind of taco again. It’ll be the best taco you’ve ever had.

BESS:   . . .  I hope it’s not a limited time offer.

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The Saddle.

It’s come to my attention that I might be annoying.

As a single woman.

No one has said anything, per se. There was no intervention, no somber gathering of friends to break it to me gently — You need to calm down a second, kid. And possibly just get yourself laid. I’d talk excessively about the tumbleweeds rollicking through the ghost town of my bed, in order to score a cheap chuckle from friends. And then I started catching myself doing it. All the time.

There’s a line between the self-deprecation for which I’m known and the all-out desperation of the clearly undersexed. The joke within my circle is that I’m bound to embark on a “Slutty Phase,”  celebrating my singledom with a burst of promiscuity.  However, I’ve been single for nearly six months, which is just enough time to remember that I’m really, really bad at it.

Baby steps. Remember, people, this is territory I haven’t explored since the Summer of 2005.  And I’ll tell ya - the landscape has changed. Summer of 2005? I was a glowing, new college graduate. I was also living in a town saturated with boys who drunkenly shouted Dispatch songs from the abandoned couches of their fraternity front porches.

I still have the option to meet guys like this.  We have clubs where, “Hi, I’m ___, it’s nice to meet you” is replaced with, “I know you didn’t ask for this, but I’munna go ahead and grind up against your backside to Funky Cold Medina.” That’s an appropriate guy to kick off your Slutty Phase.  Someone meaningless that you never have to see again.

Alas, I don’t go to clubs.  (Which is a shame, because I do take a hip hop dance class, so I should really expose the world to my moves. Instead I break out the “stanky leg” in dive bars, for my friends’ entertainment.) No, I go to these music venues, full of boys in skinny jeans. Boys in skinny jeans do not approach you.  And you can run that fantasy in your head of you and him reaching for the same vinyl in the record store basement a million times. Ain’t gonna happen.

Also? Can you imagine me taking home the dude from the club? I mean, really? I don’t even want to see that guy naked. Pecs and delts and hair gel = not a turn on. Offhand comment about your favorite Beatles album = turn on. And let’s be honest, by the time you’ve made the Beatles comment, I probably already genuinely like you. Therefore, I don’t want to mess things up by trying to take you home and embarrassing myself [which is inevitable].

One thing I know for sure is that dating provides an endless stream of blog fodder. Hellloooo, who could forget British Guy? Plasma Guy? And of course, DUSTIN and the WORST DATE EVER?

It’s like you have a front row seat. Except you should probably bring a poncho, like if you’re going to see a show at Sea World. Or Gallagher.

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Out of the darkness and into the fire

The Walkmen — In the New Year

If you’re playing the home game, ought-nine has brought some pretty nasty tidings to my neck of the [emotional?] woods. There have been break-ups (okay, one, but it was pretty tragically epic), depressions, and existential crises-a-plenty. If the past year has taught me anything, it’s the realization that there’s no getting off this roller coaster. You’re so on it, kid, I tell myself.   Sometimes? I’m going to bottom out. And it’s going to hurt. But lately, I’ve heard that click-click-click of the cars creeping up the track. When everything is right, and I’m surrounded by the people I need in my life, and I’m where I’m meant to be,  doing what I’m destined to do.

The day I took these pictures was one of those days. Click click click.

My roommate is full of win, and through her I’ve gotten friendly with the guys over at My Old Kentucky Blog/Laundromatinee. I crashed their tent at Monolith and they were kind enough to let me get my camera geek on. The afternoon of day one, The Walkmen came for a session.

(Seconds before this, he had accidentally dropped his triangle. It was kind of priceless and adorable. And you know how I am about handheld percussion.)

Check out the session over at MOKB.

Day One was rainy and cold and gross. I would have been miserable if I wasn’t nearly peeing my pants with excitement all day.  Soon after the Laundro session, the boys headed out to the Southern Comfort stage. I’m apt to say “boys” when talking about guys in a band, but The Walkmen are totally men.  Full-grown men. You can hear the maturity in the music. Seasoned. Experienced. If the Walkmen were a wine, they’d totally be a full-bodied cabernet.  Oaky and sophisticated, but not one of those fancy numbers that you let gather dust in your cellar. [Wait, what? Don't let me write about music. Ever.]

(This guy was too fast for my camera.)

PS This flickr set can be found here.

If you live in or near Indianapolis? Lucky us. The Walkmen will be playing The Vogue tonight. More information on THIS AWESOME POSTER THAT MY FRIEND URIAHA FOUST MADE.

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Ripe as Peaches

So yeah, domain names. Apparently you have to renew them. Apparently not with an expired debit card number.

If you know me, you’re not surprised when you popped on by and saw my domain had expired.  I have about $50 in overdue fees at the library and I probably just should have purchased that Red Box DVD of Adventureland at this point (WHICH I WON’T BECAUSE THAT MOVIE WAS ATROCIOUS.) I’m just…not good, at that sort of stuff.  Organizational Life Stuff.  And the worst part of it is that I’ve just sort of… succumbed to it. I half-expect people to shake their heads and patronizingly say, “Oh, that Jenn!” like in a sitcom. “What a lovely, endearing state of disarray!” It never happens like that. No one ever calls anyone a “whirling dervish” in the romantic sense, these days.   If you’d like me to change, send a life coach, Oprah.

Still, this blog is my little project, my baby. My little project baby. So you’d think I’d know better than to let it fall by the wayside for a few days, exposing it to predators that might snatch it up, turn it into something other than my witty quips and breathtaking photography (cough).  I’m not sure who would pick up theresyourkarma.com but I like to think somewhere in the world there’s a porn star named “Karma” who is just WAITING to stake her claim. On second thought - a porn star who reads Kerouac?

SUBSCRIBED.

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And everything is going to the beat. . .

Passion Pit - Sleepyhead

Continuing on the theme of, “My Photography Hard-On, Let Me Show You It” — Here are some photographs of one of my new favorite bands, Passion Pit, at Monolith Festival.

I was supposed to see these guys opening  for Ra Ra Riot in Bloomington before they canceled. All the indie kids are going, Passion Pit opening for Ra Ra? Helluva lineup! and the other 95% of the population is going, Who? and Who now?

JUST GIVE IT A LISTEN. IT’S GOOD.

One of the things that made me stand out in the press pit?   I was usually the only one who would dance in between frames.

Which is probably why I have blurrier shots than most of them.

I can’t help it.

Also, in the eyes of most pro photographers there, I was shooting with an SLR made by Fisher Price.

But I think I did alright.

What is concert photography if not, just, capturing a moment?

A summoning of light?

A burst of kinetic energy?

Yeah.

Where do I sign up to do this for a living?

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